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Gr ac i e H s i u ng

Congratulations

employee of the month

Fen-Hsiang Hsiung, aka Gracie, is the hardest worker we have and always has a pleasant attitude

and a smile on her face. She knows exactly what the residents want and need many times before

they even know! Gracie is an absolute asset to the Dietary Department.

- Mark Simpson, Director of Dining Services

• 8 •

The Pinecone

|

April 2017

MEET AUTHOR

BREN M

c

CLAIN

JOIN THE

BOOK BAGGERS

TUESDAY,

APRIL 25TH

9:30

am

in

the

L

arge

C

ard

R

oom

WHERE SHE WILL BE

DISCUSSING HER BOOK

ONE GOOD

MAMA BONE

ALL ARE INVITED TO

THIS SPECIAL EVENT!

THE PIGNA:

TREASURE OF

THE VATICAN

Publius Cincius Slavius, whose name appears on the

base of the sculpture, built the Pinecone statue that

now resides in the Court of the Pinecone (Cortile della

Pigna) in the Vatican, in the 1st century AD. The piece

was originally a fountain that resided in the Temple

of Isis in Campo Martius next to the Pantheon. The

Pinecone was then moved to the hall of St Peter’s

Basilica in the 8th century. In 1608, when St Peters

was being enlarged to its present form the Pinecone

was moved to its current location by Pope Paul V.

The pinecone carries a heavy symbolism in

Christianity supposedly being the fruit of the tree

of knowledge in the Garden of Eden. It represents

eternal life and enlightenment and the literal

biblical translation is “the face of God”. The pineal

gland in the brain (named for its similar shape) is

the geometric centre of the brain and is considered

the third eye or the seat of the soul. The Pope’s staff

features a pinecone symbolising the illumination of

the church. The symbolism of the pinecone is similar

in many religions and was obviously absorbed by

the Christians like many other aspects of the Greco-

Roman and Egyptian religions. The fact that it stood

in the Temple of Isis (a goddess revered by the early

Christians as the Virgin Mary and often used as a

disguise in the days of persecution) explains the

reason behind the reverence of this sculpture.

The peacocks at the base of the Pinecone are the

Christian symbol of eternal life. This, added to the

symbolism of the shedding of the feathers and

replacing them with brighter ones, alludes to the

resurrection of Christ. The eyes on the tail feathers

were also seen as the all-seeing eyes of God. The

bronze peacocks, however, were not part of the

original sculpture but are thought to be originally

taken from Hadrian’s mausoleum (now Rome’s

fortress, the Castel St. Angelo).

Thus as a whole the Pinecone is meant to be a

symbolic fountain of life. Even in its present form the

symbolism still points to the Pinecone as an emblem

of renewal in the Eternal City.

The Pigna at The Vatican

Pope Francis’ Pinecone staff

The Castel St. Angelo

The Cortile della Pigna